Preah Khan showcases Queen Indradevi and Queen Jayarajadevi in many locations.
These discovery and renaissance of the two most influential Khmer queens have brought forth new insights,
dynamics into the royal lifestyle, and visions of King Jayavarman VII.
830 years ago Queen Indradevi, King Jayavarman VII and Queen Jayarajadevi formed a just and powerful Royal Triad
that advanced social evolution and innovation in healthcare and co-education in the Middle-Ages.

1. Queen Jayarajadevi in the collapsing chamber. Shocking neglect because the experts labeled this queen as a dancing apsara. 830+ years of grime. 06 Jan 2010 – © Astrid
 1. Queen Jayarajadevi in the collapsing chamber. Lipstick, powder and make up because "the locals and tour guides are running a worshipping money scam on the tourists by calling them goddesses or queens" noted the KHMER historians who consulted the Japanese experts. 06 Jan 2010 – © Astrid
 1. Queen Jayarajadevi in the collapsing chamber. Chopped in blocks of stone. Cultural heritage massacre due to a simple error. The 3rd eye REVEALED the ID of this beautiful queen.   24 Dec 2009
 1. Queen Jayarajadevi in the collapsing chamber. Queen Jayarajadevi is still beautifully SERENE and FORGIVING, through EXTREMELY STRESSED with all the sufferings in the last 8 centuries. 24 Dec 2009
1. Queen Indradevi in the collapsing chamber. EASIER FORGOTTEN THAN RESEARCHED by the World Monuments Fund in Preah Khan since 1989. 06 Jan 2010 - © Astrid
 1. Queen Indradevi in the collapsing chamber. Subjected to an UNDIGNIFIED, abject neglect because of an ERRONEOUS classification undisputed by the Cambodian Authorities.
06 Jan 2010 - ©Astrid
 1. Queen Indradevi in the collapsing chamber. Ungodly TONS of weight are causing UNSTABLE cracks to reduce the UNIQUE images to rubbles. Yet, this Queen is showing GRACE and BEAUTY to REVEAL her TRUE identity. 25 Dec 2009
 1. Queen Indradevi in the collapsing chamber. A MAJESTIC, beautiful, smart, spirited Queen Indradevi revealed herself under the camera lens, the 3rd true eye. 25 Dec 2009
2 A. At the lobby of the hall of dancers going into the center of Preah Khan. Queen Jayarajadevi is facing outward of the entrance door. Attitude is everything. Another look of Queen Jayarajadevi.
 2 A. At the lobby of the hall of dancers going into the center of Preah Khan. Queen Jayarajadevi is facing outward of the entrance door standing with a guardian of the Gods.

Equal treatment between a devi and a deva in this Royal Godly universe. 2 A. At the lobby of the hall of dancers going into the center of Preah Khan. Opposite of her sister Queen Indradevi is facing outward of the entrance door standing with a guardian of the Gods.

Equal treatment between a devi and an asura in this Royal Godly universe. 2 A. At the lobby of the hall of dancers going into the center of Preah Khan. Queen Indradevi is performing her duties with a smile.
2 B. At the lobby of the hall of dancers going toward the East Gopura. Queen Jayarajadevi is directly facing Queen Indradevi.
 2 B. At the lobby of the hall of dancers going toward the East Gopura. Queen Jayarajadevi is standing with another guardian of the Gods.
Not intimidated by height with the Asura. 2 B. At the lobby of the hall of dancers going toward the East Gopura. With another godly guardian Queen Indradevi is faithfully at her duties.

Forever faithful. Standing tall with her King, Jayavarman VII. 2 B. At the lobby of the hall of dancers going toward the East Gopura. Queen Indradevi is inwardly facing Queen Jayarajadevi.

Shoulder to shoulder with the King.
3. At the south entrance of the inner wall Queen Indradevi is facing Queen Jayarajadevi.
3. At the south entrance of the inner wall Queen Jayarajadevi is facing Queen Indradevi.
 4. At the south corner of the inner wall, all things fall apart, but Queen Indradevi is here facing north.
 4. At the south corner of the inner wall Queen Indradevi is always welcoming and blessing visitors.

Dear UNESCO, GOVT, NGOs :::
Doctors are not nurses. Generals are not privates. Calling and classifying the Queens as dancing Apsaras
IS professional ineptitude, which is the MAIN reason for NOT finding and NEGLECTING them in current HISTORY.
And letting these most magnificent sculptures turning into piles of ROCKS
is NOT CONSERVING / saving a cultural legacy
but a DESTRUCTION of cultural HERITAGE.